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A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院决裂搭车奇缘最好的年华最好的你搜玄录之宸灵纪眼镜蛇第一季等爱回家2025暴力本性秦始皇陵的惊天秘密乔伊第二季马略卡档案第一季人类办事处兽道 獣道我家娘子惹不起种地吧3大象生死竞赛3要或不要午夜蕾丝破产姐妹第一季不与傻瓜论短长龙探兵荒马乱的爱情创伤2017我们都有一个家劫匪帮兄弟厨子兵二毛矫枉过正双马尾女战士再见琼
A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men. The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院决裂搭车奇缘最好的年华最好的你搜玄录之宸灵纪眼镜蛇第一季等爱回家2025暴力本性秦始皇陵的惊天秘密乔伊第二季马略卡档案第一季人类办事处兽道 獣道我家娘子惹不起种地吧3大象生死竞赛3要或不要午夜蕾丝破产姐妹第一季不与傻瓜论短长龙探兵荒马乱的爱情创伤2017我们都有一个家劫匪帮兄弟厨子兵二毛矫枉过正双马尾女战士再见琼