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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院春光乍泄人面兽心2024猎捕爱豆计划恶魔校花2壳星际旅行：重返地球第一季无畏：中途岛之战行尸走肉第六季滤镜之外凤伊金先达格仔忍者2枪神记鬼马神偷速度与激情2我的舞林江湖刀剑乱舞电影版2佐州自救兄弟2爱的骗局骑士杰克寓言2024皮囊 第四季幸福终局36小时惊恐刺杀大将军弯刀去火星的男人怒火战线007之黑日危机猎杀艾玛梦华录粤语
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院春光乍泄人面兽心2024猎捕爱豆计划恶魔校花2壳星际旅行：重返地球第一季无畏：中途岛之战行尸走肉第六季滤镜之外凤伊金先达格仔忍者2枪神记鬼马神偷速度与激情2我的舞林江湖刀剑乱舞电影版2佐州自救兄弟2爱的骗局骑士杰克寓言2024皮囊 第四季幸福终局36小时惊恐刺杀大将军弯刀去火星的男人怒火战线007之黑日危机猎杀艾玛梦华录粤语