量子
缺集或无法播，更换其他线路.无尽
缺集或无法播，更换其他线路.非凡
缺集或无法播，更换其他线路.剧照
剧情介绍
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院民间怪谈录之走阴人比特币的崛起玩偶芬利小镇青年之潜罪者年少轻狂2016魔殿屠龙 魔殿屠龍剑行天下我的名字叫朱莉娅·罗斯黑吃黑 第一季相助快感指令古埃及：国王谷里的生命与死亡我的白大褂怪异同床人校花驾到之极品校花日落家园 第三季最好的尚未到来致命恐龙野党新美人计国语威士忌、探戈、狐步舞属于我们的圣诞节我们的一天黑上帝白魔鬼真爹假娘俏媳妇危机中的勇气一路生花地狱城非分熟女(普通话版)唇情碰撞
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院民间怪谈录之走阴人比特币的崛起玩偶芬利小镇青年之潜罪者年少轻狂2016魔殿屠龙 魔殿屠龍剑行天下我的名字叫朱莉娅·罗斯黑吃黑 第一季相助快感指令古埃及：国王谷里的生命与死亡我的白大褂怪异同床人校花驾到之极品校花日落家园 第三季最好的尚未到来致命恐龙野党新美人计国语威士忌、探戈、狐步舞属于我们的圣诞节我们的一天黑上帝白魔鬼真爹假娘俏媳妇危机中的勇气一路生花地狱城非分熟女(普通话版)唇情碰撞