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Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院青年夏洛克将心比心真正家庭主妇的崇拜爱情回来了疯子方舟花落宫廷错流年第二季妻子的面具契约新娘傲娇与偏见最好的朋友2018爱阡陌第二次二十岁2015永怀梦想：西蒙·佩雷斯的人生与馈赠缉毒警与疯犬我的心跳你做主致命洪灾混蛋之夜狗狗假日情缘国土安全 第六季内心之光灵域求爱者死亡菜单黑道之无悔今生重启星际迷航：皮卡德 第三季甜蜜的家超级战舰雪岭猎人传说最后看见的街
Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院青年夏洛克将心比心真正家庭主妇的崇拜爱情回来了疯子方舟花落宫廷错流年第二季妻子的面具契约新娘傲娇与偏见最好的朋友2018爱阡陌第二次二十岁2015永怀梦想：西蒙·佩雷斯的人生与馈赠缉毒警与疯犬我的心跳你做主致命洪灾混蛋之夜狗狗假日情缘国土安全 第六季内心之光灵域求爱者死亡菜单黑道之无悔今生重启星际迷航：皮卡德 第三季甜蜜的家超级战舰雪岭猎人传说最后看见的街