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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院神枪女王神探阿蒙第七季再说一次我爱你楚汉传奇功夫小龙香堂往事望春风1987有趣的鸟雾海夜航妙警贼探第二季宁多夫女王棋士太傅和公主的“前世今生”我们的生活比蜜甜草本和人生回家2016女人心情的调整方式吸血鬼马戏团自梳破发点：大满贯之路第一季热烈地奔赴夏小姐的先婚后爱如影随形鬼影实录：东京之夜赤胆豪情拜托了！别宠我第二季焦糖萨拉邦德星球大战寻找妈妈
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院神枪女王神探阿蒙第七季再说一次我爱你楚汉传奇功夫小龙香堂往事望春风1987有趣的鸟雾海夜航妙警贼探第二季宁多夫女王棋士太傅和公主的“前世今生”我们的生活比蜜甜草本和人生回家2016女人心情的调整方式吸血鬼马戏团自梳破发点：大满贯之路第一季热烈地奔赴夏小姐的先婚后爱如影随形鬼影实录：东京之夜赤胆豪情拜托了！别宠我第二季焦糖萨拉邦德星球大战寻找妈妈